Journal Guide

Javnost—The Public, Journal of the European Institute for Communication and Culture was established in 1994 as a platform for social scientists all over the world to address, promote, share, and discuss problems, issues and developments of publicness on international and interdisciplinary levels, to stimulate the development of theory and research in the field, and to help understand and bridge the differences between cultures.

Javnost—The Public publishes original research papers on all aspects of publicness with strong theoretical foundations. The research presented must transcend the limits of single case studies. Nevertheless, both empirical and theoretical studies are accepted if they offer insights into issues related to the public sphere theories and debates, such as:

• the role of (media) communication in fostering human freedom and social change;
• public service broadcasting;
• media democratization in East-Central Europe, South-East Asia and China;
• digitization of broadcasting; new developments in journalism;
• the importance of communication for class relationships;
• public opinion and political representation;
• perspectives of small-scale media and community media;
• tabloidization of the media;
• globalization of media and media policies;
• popular culture as political communication; media (in) war and peace;
• democratic rhetoric and duty of liberation;
• transformations in the public sphere(s) and the development of a European public sphere;
• E-networks and democratic life;
• “forgotten” communication scholars, and many others.

Although the primary objective of the journal is to contribute to intellectual understanding of transformations in the democratic process, it is also meant to contribute to improved political practice, policy, and action.

Euricom’s quarterly is named after the Slovene noun “ javnost,” which has the same complex meaning(s) as the German concept, Öffentlichkeit (the Slovene language is one of not very many languages that have a perfect conceptual equivalent to the German term Öffentlichkeit). Due to the multi-dimensionality of the concept “javnost,” its comprehensive and all-embracing translation into English and many other languages is not possible. The conceptual capacity of the traditional English term, “the public”, the English co-title of the journal, is one of its meanings in English, much narrower than its German/Slovene counterpart Öffentlichkeit/javnost, which is deliberately used against its currently much more popular rival, “the public sphere”. By using the term “the public,” we want to emphasize fundamental ontological differences between “the public” and “the public sphere” as two distinct entities and concepts, and oppose the widespread conceptual substitution of “the public” by “the public sphere,” which may – paradoxically – even imply the disappearance of the body public through a discursive process, i.e. the existence of “the public sphere” without “the public.”

  Javnost—The Public is a peer-reviewed journal and all peer review is double blind.

As a refereed academic journal with an international editorial board of renowned jazz scholars, Jazz Perspectives provides a broad forum for promoting cross-disciplinary scholarly dialogue across the academic jazz community. Our mission is to stimulate the international study and appreciation of the rich legacy of jazz and its many musical and cultural tangents, both past and present. The journal aims to bridge the jazz-as-music and jazz-as-culture divide of contemporary jazz studies, as well as to promote broader international perspectives on the jazz tradition and its legacy. We likewise welcome the submission of first-rate scholarship from outside the academy. The pages of the journal are devoted to all aspects of - and all approaches to - jazz scholarship. The journal is an open platform for historical inquiry, music analysis, and cultural studies. The journal furthermore includes reviews and essays on significant recent literature and new recordings and media. Peer Review Policy All research articles published in this journal have undergone rigorous peer review, based on initial editorial board screening and refereeing by at least two anonymous external referees. Disclaimer for scientific, technical and social science publications Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Jewish Culture and History is an inter-disciplinary journal which brings together the best of current research in Jewish social history with innovative work in Jewish cultural studies. The journal includes cutting-edge research by younger scholars as well as established specialists, as well as reviews of recent publications. The journal explores previously neglected areas of the Jewish experience from a range of different perspectives including Jewish popular culture, social and political history, literary and cultural representation of Jews, and the global contexts of Jewish culture and history. All articles published in the journal have undergone rigorous peer-review, involving initial editor screening and double-blind refereeing.

The purpose of Jewish History, the sole English-language publication devoted exclusively to history and the Jews, is to broaden the limits of historical writing on the Jews. Jewish History publishes contributions in the field of history, but also in the ancillary fields of art, literature, sociology, and anthropology, where these fields and history proper cross paths. The diverse personal and professional backgrounds of Jewish History's contributors, a truly international meeting of minds, have enriched the journal and offered readers innovative essays as well as special issues on topics proposed by guest editors: women and Jewish inheritance, the Jews of Latin America, and Jewish self-imaging, to name but a few in a long list.